Apparently, no music could be simpler than these suites, composed for a single, unaccompanied instrument, and each made up of a prelude followed by a series of stylized Baroque dances: allemande, courante, saraband, minuet, bourr&eacute/e or gavotte, and gigue. Yet each suite, each movement has a striking individuality and each cellist makes the series his own. It is totally objective music and, at the same time, intensely personal. János Starker's view is spare, ascetic, technically flawless, suggesting much more than it says, like a fine line drawing by an old master painter. --Joe McLellan