For longtime fans, Score offers an abundance of material that's exclusive to this release, with minimal crossover from previous Dream Theater DVDs. "The Spirit Carries On" is a natural highlight, and James LaBrie's vocals are as pristine here as they are throughout the entire concert. But there can be little doubt that this gig will be best remembered for the flawless performances of the DT epics "Six Degrees of Inner Turbulence," "Octivarium," and a jaw-dropping encore rendition of "Metropolis," all spectacularly accompanied by the Octivarium Orchestra under the baton of arranger and conductor Jamshied Sharifi. These massive arrangements have been beautifully mixed in 5.1 Dolby Digital or equally crisp PCM stereo, and each member of Dream Theater is given ample opportunity to demonstrate their virtuoso skills, including several transcendent solos by guitarist John Petrucci and keyboardist Jordan Rudess (the latter proving his mastery of the lap steel guitar, vintage Moog synthesizer and the curiously amazing Continuum Fingerboard). Of course, one must never underestimate the awesome bass foundation laid by John Myung, whose priceless contribution is sonically ever-present, if not always visually apparent. As directed by Portnoy, however, Score is totally focused on the music, gracefully and unobtrusively covering the concert from a variety of visually advantageous angles, and edited (by Chris Osterhus) to follow every beat, transition, and solo with breathtaking precision. All in all, Score is easily on par with Pulse, and arguably surpasses the Floyd DVD in terms of overall performance. It's a godsend for fans, and a perfect introduction for the band's ever-growing audience of new and converted fans. -- Jeff Shannon
On the DVD
"The Score So Far" is an outstanding documentary that fully chronicles Dream Theater's history from its earliest days (when Portnoy, Petrucci, and Myung met at Boston's Berklee College of Music) to the Radio City concert on April 1, 2006. Personnel changes are candidly addressed (as opposed to some bands, DT don't hide their past difficulties, and credit is always given when due), and the film serves as a tribute to the band's refusal to bow to commercial pressures. (It's no wonder Mike Portnoy feels a gratifying sense of vindication; after 20 years, he and his bandmates fully deserve it.) Also included is the amusing "Octivarium Animation" shown during the concert, and three live performances (from 1993, 2002 and 2005) that further illustrate Dream Theater's ability to refine and/or redefine its sound and image while keeping up with the times. --Jeff Shannon