Crawling out of the end of the rave scene, the Prodigy's second album went straight in at number one in the charts. All the tracks have the unique stamp of Liam Howlett and the boys, from the hypnotic atmosphere of aggression and attitude on "Poison" and "Voodoo People" to the guitar-driven "Their Law" (featuring the now defunct Pop Will Eat Itself) and the breakbeat tech-house of "No Good (Start the Dance)". One of the few dance acts to retain underground credibility and huge mainstream popularity, Music For The Jilted Generation shows The Prodigy at their best. Any modern music collection seems barren without its presence. --Ed Potton