By 1993, hip-hop was in transition from an organic form of musical expression into a culture fabricating stars and big business. With many icons from his era either ageing or losing their relevance (e.g. Chuck D, Rakim), KRS-ONE dropped a gem of an album that not only navigated the sound of the day but led the charge. Shedding his previous Boogie Down Productions moniker, KRS-One's Return of the Boom Bap is not just an album: it is KRS's call to arms for the return of hard beats and real rap in hip-hop music. The former took many forms, thanks to the recruitment of Gang Starr's DJ Premier, who was hitting his stride as hip-hop's pre-eminent beat-maker. Primo crafted the classic head-nod rhythm of the title track, the bump of "Outta Here", an autobiographical tale of KRS-One's rise in hip-hop, and the dance-hall-inspired riddims of "Black Cop" and "Sound of Da Police". Lyrically, KRS-One displayed variety in both style and content, meshing old-school bombast ("Mortal Thought"), consciousness ("Higher Level"), and crafty and conceptual wordplay ("I Can't Wake Up"). The album opens with KRS-ONE boasting, even decreeing, that he would "be here forever". At the cross-roads, this album made it seem true. --Joseph Patel