Producer and composer Paul Schwartz thanks many people on State of Grace, but there is one notable exclusion, 12th-century nun Abbess Hildegard von Bingen. Although these aren't her compositions, echoes of her ecstatic hymns and sequences resound throughout Schwartz's latest electronica-classical opus. He composes his own 21st-century gothic chants sung by the impassioned soprano, Lisbeth Scott. Scott is a powerful singer who brings a more emotional, perhaps even lustful, tone to these electro-Gregorian evocations, gliding over synthesiser ministrations and violin from the durable Gavyn Wright. Paul Schwartz was also responsible for the Aria CDs, on which he updated operatic arias with dance beats. State of Grace benefits from the less oppressive rhythmic regimentation, letting these soaring melodies ring out. When Schwartz deviates from his gothic inspirations, State of Grace flags, notably on a predictable rendition of "Amazing Grace", a misguided Celtic take on the Shaker hymn, "Simple Gifts" and a trio of instrumentals. --John Diliberto