Roddy Frame's decision to strike out under his own name after so long using Aztec Camera as a flag of convenience seemed odd--it isn't like The North Star signals a major change in direction. This, of course, is no problem at all--from the barely adolescent prodigy who made High Land Hard Rain to the leather-trousered rock & roller of Stray, Frame has pursued a singular and compelling path.

At worst, he's better than average; at best, he is without contemporary peer as a singer, songwriter or guitarist.

The North Star is a logical progression from the final Aztec Camera album, 1995's absurdly overlooked Frestonia. The songs are more under-stated, and the redemptive sense of hope that has always characterised Frame's work makes reappearance after going missing for the startlingly bitter Frestonia. The title track and "Reason for Living" stand comparison with Frame's best. --Andrew Mueller