Silvestrov's Requiem for Larissa is a poignant tribute to the memory of his late wife, a bitterly-wrought mourning piece that transcends his individual grief to strike a universal chord. Its seven movements are played without pause, utilizing a large chorus and orchestra, piano, and a synthesizer. Its text is the traditional, though fragmented, Latin Requiem, along with an excerpt from a grim poem, "The Dream," by the Ukranian poet Taras Shevchenko. This last constitutes the haunting fourth movement, the sung words, a "farewell to earth," set to a slow pianissimo folklike melody that stays in the memory. The next movement, the Agnus Dei, includes extended Mozartian solos for violin, its postlude a moving depiction of unearthly peace. The final two movements are a reprised variation of what has come before, from the hieratic opening drenched in sorrow to a Tuba mirum that rages against the dying of the light. The last sounds we hear are the gentle rustlings of the wind, as Nature washes away grief. Silvestrov's sound world is unique, as is this modern masterpiece. Not to be missed. --Dan Davis