As Moving shows, Wesseltoft is definitely on to something. These days, there's a lot of mixing dance and ambient beats with a vaguely jazz-like conception, and most of it, especially the music coming out of UK clubs, has little more musical substance than the beat and a few drones and samples. Wesseltoft, however, is a good musician and the possessor of a fine ear. He can mix'n'match and then add some scintillating keyboard patterns and lines on top, not just for spice. So the whole album, whether the rhythm track is computer generated, sampled or actually played by a real live drummer (there's combinations of all three approaches on this record), kicks like a mule (there's no doubt that Wesseltoft is in love with these beats) and keeps you interested. No nodding out here. Herbie Hancock is the obvious antecedent (Wesseltoft uses both acoustic and electronic keyboards), and that can't be a bad thing. --Keith Shadwick