The rest of the season follows the usual Charlie's Angels formula of relying on the cast's appealing personalities and substantive, anti-bimbo characters, while also getting them (well, not Jackson so much) in various states of undress as quickly as possible. An accent on stories requiring the wearing of leotards and showgirl costumes certainly helps the cause, but there are plenty of non-exploitational episodes as well. Among the best programs is "Angel Come Home," in which Jill arrives at Charlie's by surprise after receiving a phony emergency cable in Europe from someone claiming to be Kris. Eager to investigate, Jill soon hooks up with an old friend (Horst Buchholz) developing a new car engine targeted by enemies. "Angels in Springtime" capitalizes on a creepy suggestion of lesbian incarcerators running an expensive spa for women. "Haunted Angels" is a spooky tale of a young man's demanding spirit being channeled, from beyond the grave, through a terrified woman. It could be real or it could be a scam; only the Angels can find out. "Counterfeit Angels" finds a trio of bank robbers claiming to be Kris, Kelly, and Sabrina; the girls fight for their innocence. Finally, a great episode from its era (1979), "Disco Angels," gets the ladies exactly where they belong: on a dance floor. --Tom Keogh