There are surprising revelations throughout. Carrey displays a vocal prowess as elastic as his face--and a good deal more refined--on "I Am the Walrus". Instrumental showcases include Beck's subtle tonal explorations of "A Day in the Life," and Vanessa Mae and John Williams milking the latent classicism from "Because" and "Here Comes the Sun," respectively. And then there's the overly competent MOR ("Here, There and Everywhere" by Dion, Collins's "Golden Slumbers," "Carry That Weight," and "The End"), and one big disappointment (McFerrin and Williams's "Come Together" succumbs to the latter's incessant vocal mugging). This recording recalls Martin's early larks with Peter Sellers and the Goons one moment (Hawn's breathy nightclub lark on "A Hard Day's Night," Connolly's ringmaster turn on "Being for the Benefit of Mr. Kite"), and reveals his own sentimental heart the next (Connery's restrained reading of "In My Life," Martin's own compositions, "Friends and Lovers" and "Pepperland Suite"). An odd, yet decidedly dignified final memento from the man who earned a Knighthood being the "Fifth Beatle." --Jerry McCulley