The velvety voiced Mo' shifts away from his usual matters of the heart to matters of the world on this disc of predominantly covers. He has also abandoned his bluesier roots in favor of a slicker, jazz-based pop. The result is a protest album for the double-latte crowd, most of whom can hum along to chestnuts from the Rascals ("People Got to be Free"), John Lennon ("Imagine"), and Bob Dylan ("The Times They Are A-Changin'"). While a jaunty banjo- and fiddle-flecked version of the Nick Lowe-penned "(What's So Funny 'Bout) Peace, Love and Understanding" (popularized by Elvis Costello) uses a questionable rearrangement to convey the song's message, Mo' really connects when he raids the soul vaults for tunes by Marvin Gaye, Harold Melvin & the Bluenotes, and Donny Hathaway. It's a pleasant, subtle, and always professionally performed detour that's as comfy as a warm cup of hot chocolate on a chilly day. --Hal Horowitz