This slimline British Composers double-pack from EMI offers stunning value for money, cramming the contents of nearly three Vaughan Williams anthologies from the mid-1980s onto two extremely well-filled CDs--and all at mid-price, too. Performances and production values are consistently first-rate, and the pleasures come thick and fast. Under Richard Hickox's sympathetic and invigorating lead, the 1923 ballet score Old King Cole (still a considerable rarity) creates a delightful impression. There's an engaging contribution from the Sinfonia Chorus both here and in the lovely Five Mystical Songs (which finds baritone Stephen Roberts in rapt, if not perhaps always ideally steady voice). Elsewhere, the Northern Sinfonia's then leader, Bradley Creswick, excels in the bracing Concerto accademico (a title the composer later rejected in favour of the plainer Concerto for violin and strings in D minor) and ravishing The Lark Ascending, while the oboe concerto receives eminently stylish advocacy from soloist Roger Winfield. Not the least of this generous sets many attractions can be found in some of the shorter items such as the perky overture to the 1929 opera The Poisoned Kiss,, the gravely noble prelude to 49th Parallel (VW's first film score dating from 1940-41) and the jaunty Sea Songs. So, if the programme appeals (and it certainly should!), don't hesitate. --Andrew Achenbach END