When it comes to Mozart, Uchida is an unabashed--some would say incorrigible--romantic. But while she can occasionally sound capricious in matters of pacing, articulation, and dynamics, her instincts almost always lead in a felicitous direction. Such is the case with these accounts of the sonatas, recorded between 1983 and 1987. Uchida's approach is unfailingly lyrical, her touch gentle, her tone limpid and bright. Her manner, from one work to the next, may be somewhat undifferentiated, but there is a warmth to her playing that carries the day. --Ted Libbey