If Kino Video and MoMA had simply released these restored films on DVD, it would still be one of the notable releases of the year, but they have gone further by filling out the set with over two hours of interviews with scholars and archivists. The films can be watched with or without these explanatory interviews, which lend the kind of historical context and thoughtful analysis one finds on the best museum tours. We learn that Edison's first studio was a tar-papered contraption called "Black Maria" that could be rotated to take advantage of available sunlight. Patrick Loughney of The Library of Congress details how many of Edison's films survive on printed paper reels submitted to a copyright office that at the time had no way of cataloging film. Author Michelle Wallace provides insight on how the films represented--and perpetuated-- the stereotypes of the era. If viewers have any energy left after this erudite festival of moving images, there are more than 200 still images from MoMA's Edison Collection to browse. The film history buff's collection is simply not complete without this set. --Ryan Boudinot