England's Faces (1970-1975) wound up playing stadiums, but they always had a compact, pub-band feel. They were proud boozers, tuning up wasn't a major obsession, and Rod Stewart (in pre-disco prime) always sounded like he'd sung himself hoarse the night before. They kept the mood light, but ensemble work was deceptively tight, thanks to drummer Kenney Jones (later Keith Moon's replacement in the Who) and guitarist Ron Wood (post-Jeff Beck, pre-Stones), who'd switch between raunchy lead and raunchy rhythm roles between beats. Wood's blues-drenched slide work snuffed most of his rock competition, and helped define the band's wiry sound. But Faces offered more than teapot blues. Tuneful bassist Ronnie Lane's sweet voice and countryish melodies--think "Ooh La La," revived as the movie Rushmore's closing theme--both lightened and deepened the texture. Keyboardist Ian McLagan picked and sequenced 67 tracks, programming them out of chronological order, to flow like concert sets. Included are abundant rarities--out-takes, b-sides, rehearsals, BBC-broadcast excerpts--including live takes of songs Faces recorded under Stewart's name, like "Gasoline Alley" and "Maggie May." (A few tunes are heard in live and studio versions.) It's a very good selection of music that wears remarkably well. --Kevin Whitehead