Joan Sutherland, never noted for dramatic intensity, seemed more at home in roles that appealed to sentimentality rather than the tragic emotions of pity and fear. She still had that appeal and a voice in prime condition when this, her second Sonnambula, was recorded. Her appealing, uncomplicated musical personality is just right for this simple, innocent little story of a peasant girl who sleepwalks into--and later out of--a compromising situation that temporarily endangers her impending marriage. She has been given a supporting cast that is (with occasional small lapses) a joy to the ears. --Joe McLellan