Look past the tacky, sad-clown velvet painting on the cover (a Grammy winner for album design in 1959!); there's nothing cheap or sentimental about this record-- the bleakest and blackest album of popular songs ever recorded, so quietly powerful it can leave you slumped in your chair with the ice cubes still rattling in your glass. Every single "suicide song" (as Sinatra liked to call them) on Only the Lonely is a stunner that will take your breath away. Nelson Riddle's arrangements are like shadows, almost colourless and motionless, so that all you hear is the ache in the singer's voice. "Angel Eyes" and "One for My Baby" each deserve an album to themselves--so exquisitely moving that at the end of three minutes, you feel like you've just heard a lifetime of loneliness. The only regret--and it's a big one--is that this flawless masterpiece doesn't include Billy Strayhorn's "Lush Life", which truly belongs here; Sinatra put it into an already overcrowded recording schedule and, when fatigue and the difficulty of the song defeated him after a couple takes, he gave up and never attempted it again. We get the chillingly lovely "Willow Weep for Me" instead, so it's hard to complain--but that just adds to the pang of loss that this album expresses so vividly. Drink up! --Jim Emerson