Purists on both sides scoffed, but EBTG's transition from bedsit folkies to club favourites was one of the artistic coups of its year. Ben Watt had admitted that their previous album in 1994, Amplified Heart, seemed lacklustre, the work of a band trapped by its format, and he sought an outlet for his burgeoning love of dance music. Encouraged by the chart success of Todd Terry's remix of that album's "Missing", and by partner Tracey Thorn's collaboration with Massive Attack, the pair took the plunge setting their melancholy vignettes of love-gone-wrong to discreet electronics, and recruiting an impressive roster of drum & bass producers (Omni Trio, Howie B, Spring Heel Jack) to assist with the update. The result was their most cohesive and satisfying collection since Idlewild, an extraordinary return to form that sounded nothing like their earlier work. Tracks like "Single" and "Big Deal" covered familiar lyrical terrain (loneliness, nostalgia, unrequited passion), but allied the material to a radically more contemporary sound. Yet, as ever, the real coup was not any piece of studio trickery, but Thorn's languid, sensuous vocals. Rarely has heartbreak seemed so enticing. --Andrew McGuire